The Good, The Sad and The Solo

“The Good” John Mayer
Acoustic Pop’s all-American golden boy has finally graced us with his junior album, Continuum. Perhaps at the pinnacle of his career, with his mature gaze, grown out shag and bombshell-powerhouse for a girlfriend (Jessica Simpson), Mayer is quite possibly the most commercial Folk-Blues singer in the last decade. If I had never heard Mayer’s perfectly executed all-acoustic “Inside Wants Out” I may never have found the time or respect for his music. His latest single, “Waiting For The World to Change” is not quite the organic sound I grew fond of, but unlike many pop singers, Mayer reassures us of his fundamental talent with a classic blues/R&B breakdown mid-song. As usual his big heart is in the right place, which is what makes Mayer so endearing and appealing:
It's not that we don't care, /We just know that the fight ain't fair/So we keep on waiting/Waiting on the world to change
Besides, with songs like, “I Don't Trust Myself (With Loving You)” and “I'm Gonna Find Another You” who could ever resist this baby faced-boy and his guitar? B+

“The Sad” Keane
The release of Under The Iron Sea was much anticipated since the hugely unexpected success of 2005’s Hopes and Fears. Though certainly up to par with their first release, with Iron Sea however, I encountered a much darker milieu, hence “The Sad.” Impossibly hopeless with very little room for recovery, Iron Sea feels like you’re appropriately drowning in an ocean of loss and heartache. The opening track, Atlantic, is the prelude to an album that crescendos like a epic novel. Comprised mostly of passionately based piano ballads, lead singer, Tom Chaplin’s voice painfully exudes regret and self-pity:
I wake up, it's a bad dream/No one on my side/I was fighting/But I just feel too tired/To be fighting/Guess I'm not the fighting kind/Wouldn't mind it/If you were by my side/But you're long gone/Yeah you're long gone now
I suppose Mr. Chaplin’s recent tango with drug addiction and rehab could have contributed to this beautifully miserable album. My favorites are, “Nothing In My Way” and “Hamburg Song.” A-


“The Solo” Thom Yorke
The Eraser is the solo debut from self-owned creepster, Radiohead frontman, Thom Yorke. He has successfully replicated the creative disorder of a classic Radiohead album, without being their derivative. You see, Radiohead is like a fine cognac: it gets better with age and it’s an acquired preference, but only by distinguished tongues (yes, this is me being a music snob).

Yorke's creations are the Frankenstein of music if there ever was one. Within this digital masterpiece the only recognizable core instrument might just be the piano (which is most beautifully displayed at the close of the track Cymbal Rush). He uses varied tempos simultaneously, wrecklessly improvises with hums, moans and of course, his signature falsetto. My favorite track is "Black Swan." The opening beats sound much more like the layout for a rap song, weaving synth loops with a classic hip hop beat. I think this could be my new Fall soundtrack; perfect for a gray day. A+
(also watch out for bandmate Jonny Greenwood's Bodysong soundtrack).